![]() However, small screen follows a simple rule - name it after the female protagonist but avoid duplicating it with the past or the existing ventures,” says producer Manjunath. In several cases, the films are shot without any title and then the hunt for suitable and an effective title starts. Anything catchy and controversial would always be the first choice. It would be an act to draw attention of the audience to bring them to theatres. Most of the time, the movie and the content of it would have no connection at all with the title of the movie. Production houses register catchy titles under their banners, and sometimes the ownership controversies lands up in courts to claim the titles. “It is a different scenario when it comes to movies. From Kamali, Paaru, Subbalakshmi Samsara, Nandini, Kaveri, Devayani, Chandrakumari, Muddulakshmi, Amruthavarshini, Puttagowri Maduve, Lakshmi Baramma, Mithuna Rashi, Radha Ramana, Krishna Tulasi, Seetha Vallabha, and many more are evident to it. It is the same with the Kannada small screen, and at present, it is ‘she’ who rules the TV. The rest of the titles are either combination of the names of the male and female protagonists in the TV serial or random names which depicts the soul content of the drama. Out of 10 serials, at least 8 titles are based on the the female character’s name from the respective soap. Unlike the movies which has its own set of rules when it comes to titles, small screen has its own formula to draw the attention of its audience. ![]()
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